Corky was one of the artists. A portrait-painter, he called himself,
but he hadn't painted any portraits. He was sitting on the side-lines
with a blanket over his shoulders, waiting for a chance to get into the
but he hadn't painted any portraits. He was sitting on the side-lines
with a blanket over his shoulders, waiting for a chance to get into the
game. You see, the catch about portrait-painting--I've looked into the
thing a bit--is that you can't start painting portraits till people
come along and ask you to, and they won't come and ask you to until
you've painted a lot first. This makes it kind of difficult for a
chappie.
thing a bit--is that you can't start painting portraits till people
come along and ask you to, and they won't come and ask you to until
you've painted a lot first. This makes it kind of difficult for a
chappie.
Now, a great many fellows think that having a rich uncle is a pretty
soft snap: but, according to Corky, such is not the case. Corky's uncle
was a robust sort of cove, who looked like living for ever. He was
fifty-one, and it seemed as if he might go to par. It was not this,
however, that distressed poor old Corky, for he was not bigoted and had
no objection to the man going on living. What Corky kicked at was the
way the above Worple used to harry him.
Corky's uncle, you see, didn't want him to be an artist. He didn't
think he had any talent in that direction. He was always urging him to
chuck Art and go into the jute business and start at the bottom and
work his way up. Jute had apparently become a sort of obsession with
him. He seemed to attach almost a spiritual importance to it. And what
Corky said was that, while he didn't know what they did at the bottom
of the jute business, instinct told him that it was something too
beastly for words. Corky, moreover, believed in his future as an
artist. Some day, he said, he was going to make a hit. Meanwhile, by
using the utmost tact and persuasiveness, he was inducing his uncle to
cough up very grudgingly a small quarterly allowance.
soft snap: but, according to Corky, such is not the case. Corky's uncle
was a robust sort of cove, who looked like living for ever. He was
fifty-one, and it seemed as if he might go to par. It was not this,
however, that distressed poor old Corky, for he was not bigoted and had
no objection to the man going on living. What Corky kicked at was the
way the above Worple used to harry him.
Corky's uncle, you see, didn't want him to be an artist. He didn't
think he had any talent in that direction. He was always urging him to
chuck Art and go into the jute business and start at the bottom and
work his way up. Jute had apparently become a sort of obsession with
him. He seemed to attach almost a spiritual importance to it. And what
Corky said was that, while he didn't know what they did at the bottom
of the jute business, instinct told him that it was something too
beastly for words. Corky, moreover, believed in his future as an
artist. Some day, he said, he was going to make a hit. Meanwhile, by
using the utmost tact and persuasiveness, he was inducing his uncle to
cough up very grudgingly a small quarterly allowance.
He wouldn't have got this if his uncle hadn't had a hobby. Mr. Worple
was peculiar in this respect. As a rule, from what I've observed, the
American captain of industry doesn't do anything out of business hours.
When he has put the cat out and locked up the office for the night, he
just relapses into a state of coma from which he emerges only to start
being a captain of industry again. But Mr. Worple in his spare time was
what is known as an ornithologist. He had written a book called
_American Birds_, and was writing another, to be called _More
American Birds_. When he had finished that, the presumption was that
he would begin a third, and keep on till the supply of American birds
gave out. Corky used to go to him about once every three months and let
him talk about American birds. Apparently you could do what you liked
with old Worple if you gave him his head first on his pet subject, sowas peculiar in this respect. As a rule, from what I've observed, the
American captain of industry doesn't do anything out of business hours.
When he has put the cat out and locked up the office for the night, he
just relapses into a state of coma from which he emerges only to start
being a captain of industry again. But Mr. Worple in his spare time was
what is known as an ornithologist. He had written a book called
_American Birds_, and was writing another, to be called _More
American Birds_. When he had finished that, the presumption was that
he would begin a third, and keep on till the supply of American birds
gave out. Corky used to go to him about once every three months and let
him talk about American birds. Apparently you could do what you liked
these little chats used to make Corky's allowance all right for the
time being. But it was pretty rotten for the poor chap. There was the
frightful suspense, you see, and, apart from that, birds, except when
broiled and in the society of a cold bottle, bored him stiff.
To complete the character-study of Mr. Worple, he was a man of
extremely uncertain temper, and his general tendency was to think that
Corky was a poor chump and that whatever step he took in any direction
on his own account, was just another proof of his innate idiocy. I
should imagine Jeeves feels very much the same about me.
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